🕊️ If Someday He Came After Me, Know This…


(A Letter to the Wind and Whoever Needs to Hear It)

There are stories we live. And there are stories we survive.

During the installation process, I chopped the Redeemer's statues first, transferred the pieces, before coupling back on the base where they stand today by Henry Aziengbe.

If someday he came after me, know this:
I didn’t choose this path because I wanted to be a hero.
I chose it because silence was too heavy to carry.
Because dignity has no replacement.
Because my children deserve a legacy built on honesty, not hush money.

Henry Aziengbe lion statue

Over a year ago, I worked. Not with machines, but with my bare hands, heart, and all the hope I could muster in the middle of a storm.
I sculpted four roaring lions. I carved two towering statues of Christ the Redeemer—not only in physical form but in symbolic hope for redemption, for fairness, for reward.

One of the lion statues in Ekuku Agbor, Delta State, Nigeria.
One of the lion statues in Ekuku Agbor, Delta State, Nigeria.

But what I received in return was silence. Rejection. A blocked number. A threat.
And from someone I once called a mentor. A father figure.

After the completion, I took a photo with one of the lion's in Agbor, Delta State.
After the completion, I took a photo with one of the lion’s in Agbor, Delta State.

If someday he came after me—remember that I had every reason to walk away, but I stayed.
I had every reason to abandon that job, but I finished it.
I believed in honor. In loyalty. In brotherhood.
I bled my strength into that work, while my children slept on little and waited for the father who was fighting the world in silence.

Christ the Redeemer statue Ekuku Agbor, Delta State, Nigeria.
Christ the Redeemer statue Ekuku Agbor, Delta State, Nigeria.

If you hear rumors, if they twist my words—know this:
I’m not bitter. I’m bruised.
But even in bruises, I still believe in the beauty of truth.
I speak not for vengeance but so the next artist knows their worth.
So the next dreamer doesn’t drown in false promises.

Henry Aziengbe as a sculptor
Henry Aziengbe as a sculptor.

And if, just if, someday he came after me—
Tell him I’m not afraid.
Tell him the truth has never feared the light.
Tell him my scars are not shameful. They are proof that I survived fire without turning to ash.


✨ For the underpaid, the betrayed, the silenced artists out there—this is for you. Keep showing up. Your story matters.

Published by Henry Aziengbe

Henry Aziengbe (Godson) is a Sculptor, Painter, Art Advocate, and Creative Strategist based in Benin City, Edo State, Nigeria. With a deep passion for visual storytelling, Henry believes that art is not just a form of expression but a catalyst for transformation—connecting people, preserving cultural identity, and elevating creative voices. As the visionary founder of Worldwide Art Advocacy, Henry is committed to empowering artists, providing mentorship, strategic guidance, and visibility to creators looking to build meaningful careers in the arts. He helps artists refine their craft, establish their presence, and navigate the evolving art industry—ensuring that their work not only exists but thrives. Beyond his personal work in sculpting and painting, Henry is a passionate Art Educator, inspiring others through creative workshops, advocacy, and community-driven projects. His mission is to bridge diverse artistic traditions, foster innovation, and amplify the voices of emerging and established artists worldwide. For Henry, art is more than technique—it is memory, movement, and possibility. Through his sculptures, murals, and advocacy, he seeks to create spaces where artists are seen, heard, and celebrated.

Leave a Reply

Your email address will not be published. Required fields are marked *